Rhythm Changes Conference 2019 Graz

Jun 11 2018

The Sixth Rhythm Changes Conference: Jazz Journeys will take place at the University of Music and Performing Arts Graz in Austria from 11 to 14 April 2019.

Keynote Speakers

Prof. Jason Stanyek (University of Oxford)

Prof. Marie Buscatto (University of Paris 1 Panthéon Sorbonne)

Closing Address

Prof. Alan Stanbridge (University of Toronto)

We invite paper submissions for Jazz Journeys, a four-day multidisciplinary conference bringing together leading researchers across the arts and humanities. The event will feature academic papers, panels, roundtables, and poster sessions, as well as an exciting programme of performances by students and staff of the Jazz Institute of the University of Music and Performing Arts Graz.

Jazz has typically been the music of journeys and mobility. Its history is inseparable from global patterns of migration and changing demographics, as well as new forms of media communication and cultural production. The music speaks as much to dreams of escape as it does to the desire to put down roots; it continually seeks new pathways to meaning, even as it reinforces old boundaries. Jazz Journeys seeks to critically explore how ideas of mobility, movement, travel, exchange, voyaging, border-crossing and odyssey have shaped – and continue to shape – debates about the music’s past and future. We welcome papers addressing the conference theme from multiple perspectives, including cultural studies, musicology, cultural theory, music analysis, jazz history, media studies, and practice-based research. Within the general theme of Jazz Journeys, we have identified several sub-themes. Please clearly identify which theme you are referring to in your proposal.

 

Journeys — Mobility and Travels

This theme addresses hemispheric or global cultural movements in jazz, from the legacies of transatlantic slavery to the emergence of jazz communities throughout the world. We invite papers that engage with the different kinds of journeys that musicians undertake, from stylistic development to their involvement in the processes of migration and mobility, cross-cultural exchange, colonialism, and empire(s).

Journeys — Journées

This theme explores jazz as a companion to everyday life in private and public spaces, in the light of changing modes of interaction with the music. Are new technologies and platforms such as Spotify and Facebook changing the way we deal with jazz? How does jazz feature as a soundtrack to our ordinary existence? How do such regular interactions (or the avoidance of such interactions) reveal ideas about the meaning and value of jazz?

Journeys — Journal — Diary: History, Narrative, (Auto)biography

This theme explores the ways in which the experience of music is captured and the story of jazz told, from dominant narratives to (auto)biographies, popular tales to hidden histories. We welcome papers that interrogate dominant forms of causal and linear narration and engage with the ways in which the stories of jazz are written, adapted and changed through time. The theme seeks to engage with the underlying values that shape understandings of jazz and influenced what is celebrated and what ignored.

Journeys — Journals — Research

Fifty years ago, the founding of Jazzforschung / Jazz Research and Beiträge zur Jazzforschung / Studies in Jazz Research in Graz positioned jazz studies as an important area of musicology and related disciplines. We invite papers that explore the gaps, limitations and tensions in our understanding of jazz research, as well as new directions in the field.

Journeys — Journalism, Media and Technologies

This theme investigates the role of writing, mediatisation and technological change in the production, dissemination, and experience of jazz. We invite papers focusing on the ways in which ideas, sounds and images about the music circulate globally between artists, critics, audiences, and producers.

Journeys — Time(s) and Temporalities

This theme explores concepts of time and temporality in jazz, from the uses of multiple tempos and time signatures to theories and practices of repetition and revision. We invite papers that respond to the different times, temporalities, tempos, moments, instances, junctures, speeds, passages, and movements in and out of time that characterise jazz history and its practices.

Journeys — The Seductions of Alliteration

This theme addresses the many journeys in language, sound, gesture, and image that shape our understanding of jazz, including spontaneous writing, creative writing from the Harlem Renaissance, and Beat literature. We welcome papers that experiment with how to get from A to B, that sound out new ways of speaking of and thinking about jazz, and envision new practices and processes of writing about, and performing with, the music.

 

Please submit proposals (max. 250 words), including a short biography (max. 50 words) and institutional affiliation, as a Word document to Christa Bruckner-Haring at rhythmchanges@kug.ac.at.

The deadline for proposals is 15 September 2018; outcomes will be communicated to authors by 15 October 2018. All paper submissions will be considered by the conference committee, consisting of Christa Bruckner-Haring (Chair), André Doehring, Nicholas Gebhardt, George McKay, Loes Rusch, Walter van de Leur and Tony Whyton.

Jazz Journeys continues to build on the legacy of the research project Rhythm Changes: Jazz Cultures and European Identities (2010–2013), which was funded as part of the Humanities in the European Research Area (HERA) Joint Research Programme. In the spirit of Rhythm Changes, the project team continues to develop networking opportunities and champion collaborative research in transnational jazz studies.

Updates on the conference and information about travel and accommodation will be available on this website and https://www.facebook.com/jazzresearch/.

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Photos

Sep 06 2017

Photos taken at the Fifth International Rhythm Changes Conference. Various photographers (Susanne Abbhuel, Francesco Martinelli, Beth Aggett, Walter van de Leur, Tom Sykes), in no particular order. Click on thumbnail for high-res version.
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CFP. Beyond Genre: Jazz as Popular Music

Sep 05 2017

Beyond Genre: Jazz as Popular Music
April 19-21, 2018
Center for Popular Music Studies
Case Western Reserve University, Cleveland, OH

The intersections of jazz and popular music are myriad. Louis Armstrong recorded with Jimmie Rodgers and Bessie Smith; Carlos Santana recorded with Alice Coltrane; Kendrick Lamar’s To Pimp a Butterfly featured Terrace Martin, Robert Glasper, and Kamasi Washington; George Benson topped the Billboard 200 in 1976; Billie Holiday, Nat King Cole, and Miles Davis are all inducted into the Rock & Roll Hall of Fame; consider also the careers of The Bad Plus, Benny Goodman, Spyro Gyra, Kenny G, Norah Jones, and countless others.

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Welcome to the Re/Sounding Jazz Conference, Amsterdam

Aug 22 2017

The Rhythm Changes team is hugely looking forward to welcoming all delegates from all academic areas interested in jazz studies, as well as the music and creative sectors, to the latest in our international conferences on jazz, which opens at the Conservatory of Amsterdam on 31 August. Our theme, in this centenary year for recorded jazz music, is Re/Sounding Jazz.

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Rhythm Changes Conference

Oct 31 2016

conference_logo4

The fifth international Rhythm Changes Conference a??Re/Sounding Jazza?? will take place at the

Conservatory of Amsterdam,

Oosterdokskade 151, Amsterdam,

from 31 August to 3 September 2017

Registration is open

Click here to register.

 

Click here for our recommended hotels

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