Books
Cerchiari, L., Cugny, L., and Kerschbaumer, F., (eds.), Eurojazzland (Northeastern University Press, 2012)
Van de Leur, Walter, (ed). The NL Real Book, Amsterdam: MCN 2011.
Whyton, T. (ed.), Library of Essays on Popular Music: Jazz (Aldershot: Ashgate, 2011
Journals (Special Issues)
Jazz Research Journal [Post World War II Jazz Collectives ed. Nicholas Gebhardt], 5.1/5.2 (2011)
Jazzforschung [Jazz and National Identity] 44 (2012)
Articles and Book Chapters
Bruckner-Haring, C., ‘Jazz in Österreich: Aspekte der aktuellen Jazzszene’ Jazz Unlimited: Beiträge zur Jazz-Rezeption in Österreich (Anklänge: Wiener Jahrbuch für Musikwissenschaft 2011/12) (Vienna: Mille-Tre, 2012), pp.299-355
Bruckner-Haring, C., ‘Historischer Überblick über die Jazzentwicklung in Österreich’ Jazzforschung / Jazz Research 44 (Graz: Adeva, 2012), pp.53-74
Bruckner-Haring, C., ‘Conference Report: Rhythm Changes: Jazz and National Identities’ Jazz Research News No.39 (Uni of Music & Performing Arts: Graz, 2011), pp.1855-1857
Bruckner-Haring, C., ‘Rhythm Changes: Jazz Cultures and European Identities’ Jazz Research News No.36 (Uni of Music & Performing Arts: Graz, 2011), pp.116-18
Bruckner-Haring, C. and Kahr, M., ‘JazzWerkstatt: A young Austrian jazz initiative’, Jazz Research Journal 5.1/5.2 (2011), pp.176-186
Dubber, A., ‘The Kitchen Orchestra Online: Digital mediation and collective practice’, Jazz Research Journal 5.1/5.2 (2011), pp.200-210
Dubber, A., ‘Keep Up With The Changes: Online strategies for national jazz agencies’, Jazz Research Journal 6.1, (2012), pp. 49-68
Dvinge, A., ‘Jazzens Kosmopolitiske Dialekter’ Magasinet Humaniora 2:10 (Danish Research Council for the Humanities: Copenhagen, 2010)
Dvinge, A., Bruckner-Haring, C. and Kehl, C. ‘Historical Overview about the Development of Jazz in Denmark’, Jazzforschung / Jazz Research 44 (Graz: Adeva, 2012), pp.9-26
Frost Fadnes, P., ‘Improvisasjon som Musikalsk Tanke’ (Improvisation as musical thought), Ride Ranke – Musikk Fra Livets Begynnelse 1 (2010)
Frost Fadnes, P., ‘Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice’, Jazz Research Journal 5.1/5.2 (2011), pp.187-199
Frost Fadnes, P., ‘X. trioVD’, Jazz Perspectives 5.3 (2011), pp. 233 – 236
Gebhardt, N., ‘The Collective Problem in Jazz’, Jazz Research Journal 5.1/5.2 (2011), pp.5-20
Goh, F with Whyton, T., ‘Strength in Numbers: A Study of Europe Jazz Network’ (2011)
McKay, George. Interview with Colin Bailey, 1950s drummer with Winifred Atwell (2011).
McKay, George. Interview with David Rohoman, 1970s drummer with Ian Dury, jazz drummer (2010). http://georgemckay.org/jazz/interviews/
McKay, George. 2014. “Winifred Atwell and her ‘other piano’: 16 hit singles and a ‘blanket of silence’, sounding the limits of jazz”. In Jason Toynbee et al, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Ashgate.
McKay, George, and Ben Higham International Journal of Community Music vol. 5:1 (2012), 91-103. Co-authored with Ben Higham. ‘Community music: history and current practice, its constructions of “community”, digital turns and future soundings—an Arts & Humanities Research Council research review’.
Rusch, L., ‘Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture’, Jazz Research Journal 5.1/5.2 (2011), pp.123-141
Rusch, L., ‘Jazz in the Netherlands: Historical outlines of the development of of a social and musical praxis’ Jazzforschung/Jazz Research 44, (2012), pp.27-52
Van de Leur, Walter, “‘Zuivere Jazz’ and ‘Charlatanisme’: De Jazzwereld 1931-1940.” Liber Plurium Vocum voor Rokus de Groot. Amsterdam: Amsterdam University Press, 2012; 128-38.
Van de Leur, Walter, “‘Pure Jazz’ and ‘Charlatanry’: A History of De Jazzwereld Magazine, 1931-1940.” Dan Morgenstern Festschrift., Current Research in Jazz, (www.crj-online.org) Vol. 4 (2012).
Van de Leur, Walter, “Clichémachines versus Improvisatoren: Jazzwereld 1967-1973.,” Jazz Bulletin 82 (March 2012): 30-37.
Whyton, T., ‘Jazz Research in Britain’ Jazzforschung/Jazz Research 42, (November 2010), pp.131-146
Kerschbaumer, F., ‘Jazzforschung in Österreich’ Jazzforschung/Jazz Research 42, (November 2010), pp.193–200
Whyton, T., ‘The Changing Discourse of Jazz as Popular Music’ in Whyton, T. (ed.), Library of Essays on Popular Music: Jazz (Aldershot: Ashgate, 2011, xi-xxiii
Whyton, T., ‘Europe and the New Jazz Studies’ in Cerchiari, L., Cugny, L., and Kerschbaumer, F., (eds.), Jazz and Europe (Lebanon New Hampshire: Northeastern University Press, 2012, pp.366-380.
Conference Papers/Keynote Presentations
February 2010
Whyton, T., ‘Rhythm Changes: Jazz Culture and European Identities’ Association of European Conservatoires Pop/Jazz Platform, Tallinn
May 2010
Whyton, T., ‘Jazz and European Identity’, Maijazz Festival Symposium, Stavanger
June 2010
Whyton, T., ‘Jazz and World Music Programming: Music, Politics and Place’, Live! Singapore
Whyton, T., ‘Rhythm Changes: Jazz Cultures and European Identities’, HERA JRP Conference, Vienna
August 2010
Dubber, A., ‘Crossing into Digital: a new media landscape’, Nordic Jazz Conference, Helsinki
Frost Fadnes, P., ‘Jazz Crossing Borders – the British/Norwegian collaboration’, Nordic Jazz Conference, Helsinki
Whyton, T., ‘Rhythm Changes: jazz as trans-national practice’, Nordic Jazz Conference, Helsinki
November 2010
Dvinge, A., ‘Medi(t)ating Montmartre: paradoxes of nation and beyond’, Jazz and Race Conference, The Open University, Milton Keynes
Gebhardt, N., ‘When Jazz Was Foreign’, Jazz and Race Conference,The Open University, Milton Keynes
Sykes, T., ‘21st Century Eurojazz: Jazz and national identity within Europe in the digital age’, The Open University, Milton Keynes
Whyton, T., ‘Jazz and the dynamics of cultural identity’, Jazz and Race Conference, The Open University, Milton Keynes
December 2010
Rusch, Loes and Walter van de Leur, ‘Dutch Identities in Jazz’, Dutch Jazz and World Meeting, Felix Meritis, Amsterdam
February 2011
Gebhardt, N., ’Screening the Event: Miles Davis’s ’My Funny Valentine’’, Watching Jazz, Glasgow University
Whyton, T., ’Seeking Resolution: John Coltrane, Myth and the Audio-visual’, Watching Jazz, Glasgow University
Dubber, A, ’Online mediation of jazz performance, its context and its audiences’, Watching Jazz, Glasgow University
April 2011
Whyton, T., ‘Beyond the Binary: exploring the boundaries of jazz composition’, keynote presentation at the Leeds International Jazz Conference, Leeds College of Music
Van de Leur, Walter. ‘People Wrap Their Lunches in Them: Duke Ellington and Notation.’ Paper at the Leeds International Jazz Conference, Leeds College of Music
Sykes, T., ‘A Space for Jazz: researching an online community’, British Forum for Ethnomusicology Conference, Falmouth
June 2011
Bruckner-Haring, C., ‘The Role of Jazz in Austria: Aspects of the Current Jazz Scene’, Current Issues in European Cultural Studies: ACSIS Conference, Norrköping, Sweden
Van de Leur, Walter, The NL Real Book. Jazzdag Rotterdam
Whyton, T., ‘Jazz and European Cultural Studies’ Current Issues in European Cultural Studies: ACSIS Conference, Norrköping, Sweden
Whyton, T., ”Music from the Hybridies’: jazz as national and trans-national practice’, IMR/CMPCP Series, Senate House, University of London
September 2011
Bruckner-Haring, C., ‘Aspects of the Current Jazz Scene in Austria: Higher Jazz Education’, Rhythm Changes: Jazz and National Identities Conference, Amsterdam
McKay, George, ‘Free improvisation and alternative pedagogy in UK: community music’ Rhythm Changes: Jazz and National Identities Conference, Amsterdam
Rusch, L., ‘Identifying Dutch Jazz: Mediating Jazz from the Netherlands in Downbeat 1960-1970′ Rhythm Changes: Jazz and National Identities Conference, Amsterdam
Van de Leur, Walter, ‘Clichémachines versus Improvisors: De Jazzwereld; 1967-1973’ Rhythm Changes: Jazz and National Identities Conference, Amsterdam
Whyton, T., ‘Jazz as national and Transnational Practice’ Rhythm Changes: Jazz and National Identities Conference, Amsterdam
October 2011
Van de Leur, Walter, Jazz in the Netherlands, 1920-1945. Studium Generale, Technische Universiteit Eindhoven
November 2011
Van de Leur, Walter, Jazz in Pre-War Netherlands. Jazzfest Amsterdam
February 2012
Whyton, T., ‘Rhythm Changes: Jazz Cultures and European Identities’, HERA Cultural Encounters Matchmaking Event, Berlin
April 2012
Whyton, T., ‘In Praise of Dreams’?: Jazz Mythology, Social Change and the Nordic Tone’, NordPoP Conference, Helsinki
May 2012
Van de Leur, Walter, Arena Improvisational Project in Stavanger (Funded by Erasmus Intensive Programmes), May 2012
July 2012
Bruckner-Haring, C., ‘Rhythm Changes: Jazz Cultures and European Identities’, Jazz in der Kulturlandschaft Österreich, Rhythm Changes-Symposium, Vienna
Dvinge, Anne, Nick Gebhard, George McKay, Walter van de Leur, Tony Whyton, Kopenhagen Jazz Festival Jazz and National Identities Panel, 8 July 2012 (Jazz Radio)
August 2012
Bruckner-Haring, C., ‘Women in Contemporary Austrian Jazz’, 10th Nordic Jazz Conference: Gender and Notions of Authenticity in Jazz, Stockholm
September 2012
McKay, George, Lancaster University / Lancaster Jazz Festival / Rhythm Changes, Thinking With Jazz symposium, The Cultural Politics of Jazz panel.
Van de Leur, Walter, Lancaster University / Lancaster Jazz Festival / Rhythm Changes, Thinking With Jazz symposium, The Cultural Politics of Jazz panel.
Rusch, L.’The Zeeland Suite (1977): On State Subsidies and the Reinforcement of National and Local Narratives in Jazz’, IASPM UK Conference, Media City UK
‘Place and the cold commodities of European Jazz’, IASPM UK Conference, Media City UK
November 2012
Bruckner-Haring, C., ‘Rhythm Changes: Jazz Cultures and European Identities’, Geschichte wird gemacht: Zur Historiographie populärer Musik, 23. Arbeitstagung des Arbeitskreis Studium Populärer Musik in Kooperation mit der Universität Basel, Basel
McKay, George. Keynote lecture on ‘Pop and jazz festivals and their sense of place’, Supporting Live Music in Hard Times Live Music Exchange AHRC-funded project conference of academics, musicians and industry people, University of Glamorgan
Van de Leur, Walter, Invited Lecture SPUI25, Universiteit van Amsterdam ‘Zuivere jazz en muziekkwakzalvers
De tijdschriften De Jazzwereld (1931-1940) en Jazzwereld (1965-1973)’
January 2013
McKay, George International Film Festival Rotterdam / Rhythm Changes / POPid HERA projects knowledge exchange symposia and conference: pop and jazz festivals, place, community, inc. screening and discussion of Julien Temple documentary Glastonbury (2006), discussant for music films at public screening in The Scopitone Café
Van de Leur, Walter (Conferencing Team Member), International Film Festival Rotterdam / Rhythm Changes / POPid HERA projects knowledge exchange symposia and conference: screening and discussion of Julian Benedikt. Play Your Own Thing: The Story of Jazz in Europe (2007); Jazz and National Identities. Viewing – Han Bennink: Hazentijd, Sounds and Silence: Travels with Manfred Eicher Clips and discussion; discussant for music films at public screening in The Scopitone Café
March 2013
Bruckner-Haring, C., ‘Austrian Jazz Identity’, Leeds International Jazz Education Conference, Leeds College of Music, Leeds
October 2013
Bruckner-Haring, C., ‘Frauen in der österreichischen Jazzszene’, Musik, Gender und Differenz: Intersektionale und postkoloniale Perspektiven auf musikalische Felder, Universität für Musik und darstellende Kunst Wien, Vienna
McKay, George. Keynote lecture, Jazz Messengers conference, University of Aveiro, Portugal
